MUS 451 SONG LITERATURE II

                                                                      Fall 2001

                                                                 Course Syllabus

Course Description

Prerequisite: A grade of C or better in MUS 202-206, and 256

A survey of solo repertoire from American, British, Italian, Scandinavian, Spanish and Russian composers, the course emphasizes style and interpretation. 2 credit hours. Offered fall semester of even-numbered years.

 

Rationale

This course is appropriate at Mississippi College as part of the degree requirements for the Vocal Performance Major. Church Music majors with a vocal emphasis may choose this course or its companion course MUS 450. Composition majors and students seeking a B.A. in music may choose this course as one of their literature requirements. The course provides the opportunity to gain a knowledge and an understanding of American, British, Italian, Scandinavian, Spanish and Russian art songs through an examination of the respective literature, composers, and poets of each genre, thus offering the opportunity for  intellectual development and cultural enrichment. As an upper-level course, it serves to reinforce, unify, and make practical application of other music courses, and it also enhances university core subjects such as literature and foreign languages.

 

Learning Objective

The student should be able to identify specific songs; to recognize (aurally and visually)  general song-writing characteristics of individual composers; to discuss the interpretative, poetic, and historical factors of songs and the  musical development and related aspects of each genre.

 

Procedure

The primary method of instruction is class lecture coupled with listening and score examination. Students will present reports as assigned.

 

Assignments

Due dates and specific information for the following required assignments are found  in the attached, tentative schedule which outlines the topics to be covered in the course. 

1. Read and take notes from the text.

2. Utilizing the recordings on reserve in the Learning Resource Center of the MC library        prepare for periodic test which  involve aural identification of and information on the      songs.

3. Formulate an annotated bibliography of supportive books and musical scores.


4. Write and orally present to the class reports as assigned.

5. Create a recital program of Art Songs using only the songs genres of this course.      Include program notes and translations. Present in a format comparable to MC recital      programs.

6. Study for unit examinations.

7. As the opportunity arises, attend and critique assigned song recitals.

 

 

 

 

Academic Integrity

The student is expected to demonstrate academic integrity according to the statements found in the 2001-2002 Mississippi College General Bulletin on p. 53  under Honesty.

 

Text

Kimball, Carol. Song: A Guide to Style and Literature. Seattle: Pst...Inc., 1996.

 

Evaluation

Written assignments will be graded on (1) content (2) and (2) structure, grammar, and spelling (2). These written assignments, oral presentations, listening tests, and the bibliographies will be averaged to represent 50% of the semester grade. Three unit tests (two scheduled within the semester and one at the time of the final exam) will comprise the remaining half of the semester grade. Approximately 1/4 of the material on the second unit test will be based on the material from the first unit of study. Likewise, approximately 1/3 of the last unit test will be based on the material from the first two units of study.

The instructor will assist the student in making up work missed if an absence or tardy is excused, i.e., due to an unavoidable personal emergency, an illness which can be verified by the school nurse, or a situation which has been mutually and previously agreed upon by the instructor and student. Students who miss a test or fail to submit an assignment because of an excused absence have the privilege of making up the test (generally during the week just prior to DEAD DAYS) and will be allowed to turn in the assignment at the next class period without penalty. Otherwise, the student earns an automatic zero on the test and the assignment may be accepted at the next class period with a letter-grade drop.

            Grading scale: A = 100-94; B = 93-85; C = 84-75; D = 74-70; F = 69 and below.

 

Attendance/Grade Appeal

See the policies concerning class attendance and absence appeal found in the 2001-2002 Mississippi College General Bulletin on pp. 50-51 under Attendance.


Any student who questions the semester grade may appeal according to the policy in the 2001-2002 Mississippi College General Bulletin on p. 46 under Grade Correction/Appeal.

Information concerning study skills and tutorial assistance may be obtained from the Counseling and Career Development Center located in Lowrey Hall, room 101.

 

Instructor: Nell Adams. Please make an appointment for a conference or call me if necessary. Office: 925-3924. Home: 924-0289

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                       TENTATIVE SCHEDULE

             SONG LITERATURE II

UNIT I

 

8-30 Introduction/Syllabus/Style

 


9-4 Style and its Components       pp. 1-20

English song overview/Poets/Early Composers    pp.301-308

Dowland/Campion/Purcell       pp.21-22

 

 

9-6 Delius/ Vaughan Williams/Quilter/ Ireland     pp. 309-320

 

 

 

9-11 Butterworth/Gurney/Warlock      pp. 320-330

English Song Bibliography Due

 

9-13 Head/Finzi/Britten        pp.330-340

 

 

9-18 No class, but ATTEND AND CRITIQUE EVENING RECITAL.

Critiques are due in my office on the next day (9-19) before your first class.

 

9-20 English Song Listening Test

 

 

9-25 Italian song overview/Early composers/Poets    pp. 347-358

Italian Song Bibliography Due

 

9-27 No class, but WORK in the library ON BIBLIOGRAPHIES/REPORTS.


 

10-2 Bellini/Rossini/Donizetti/Verdi      pp. 358-363

 

 

10-4 Tosti/Donaudy/Pizzetti/Cimara/Berio     pp.363-373

 

 

10-9 Italian Listening Test and Unit I Review

 

 

10-11 TEST Unit I - Style/English and Italian Song

 

 

10-16 Fall Break

 

UNIT II

 

10-18 American Song overview/Poets/Foster/Farwell    pp. 227-233

American Song Bibliography Due

 

 

10-23 Ives/Griffes/Thomson/Duke       pp. 233-246

pp. 26-28

 

10-25 Copland/Chanler/Barber/Bowles      pp. 247-262


pp. 29-29

 

 

10-30 Bernstein/Persichetti/Rorem/Hoiby      pp. 263-272

pp. 29-31

 

11-2 Argento/Hundley/Bolcom/Musto/Sclater     pp. 276-297

Russian Song Bibliography Due

 

 

11-6 American Song Listening Test/Russian Song overview/Poets  pp. 375-378

Borodin/Cui

 

 

11-8 NATS Regional Conference

 

 

11-13 Mussorgsky/Tchaikovsky/Rachmaninoff/Stravinsky   pp. 378-388

 

 

11-15 Russian Song Listening Test and Review

 

 

11-20 TEST Unit II - American and Russian Song

(Some material from previous unit will also be covered on this test.)


 

11-22 Thanksgiving Holidays

 

 

 

 

 

 

 

UNIT III

 

11-27 Spanish Song overview/Poets/Dørumsgaard/Granados/Nin   pp. 403-409

pp. 414-415

 

 

11-29 De Falla/Turina/Mompou/Obradors/Rodrigo     pp. 409-413

Spanish Song Bibliography Due     pp. 415-423   

Bibliography covering remaining areas Due

 

 

12-4 Montsalvatge/ South American Song overview/Villa-Lobos  pp. 424-435

 

 

12-6 Scandinavian and Eastern European Song overview    pp. 391-401

Grieg/Sibelius/Nielsen/DvoÍák/Bartok     pp. 437-441

 


 

12-11 Review  SONG RECITAL DUE

 

 

12-13 TEST 11:00-1:00

Unit III Material plus Spanish and Scandinavian Listening Test

(Material from the other two unit tests will also be covered on this test.)

 

 

I.  Ideas for sources in the annotated bibliography for each genre may include interpretation, style, musical analysis, historical information, performance practices, poetry, descriptive listings, translations,  transcriptions, thematic content, repertoire guides, discographies, commentaries, printed scores, musical editions, bibliographies, etc. Articles from journals and encyclopedias or chapters from books may be cited, and in some cases, where the entire book does not apply to the specific genres of art song germane to this course., they should be cited when the entire publication is not relevant.  Each source must be listed as a  proper bibliographic entry and must include its call number or a reference as to where it can be found. Use complete sentences in the annotation.

II. Reports must always reference sources in correct bibliographic entries. Reports will be presented in class as assigned.

III. Any critiques must be written immediately following a recital and turned in the next day.   Written as a personal opinion through a  profession prospective, the critique should be an evaluation of the performance  for the general public.

IV. On the listening tests, students will aurally identify specific song titles and their composers, and they will provide a synopsis of the poetic content.

V. Units tests will contain discussion questions as well as call for objective answers and listings.