MUS
451 SONG LITERATURE II
Fall
2001
Course
Syllabus
Course
Description
Prerequisite:
A grade of C or better in MUS 202-206, and 256
A
survey of solo repertoire from American, British, Italian, Scandinavian,
Spanish and Russian composers, the course emphasizes style and interpretation.
2 credit hours. Offered fall semester of even-numbered years.
Rationale
This
course is appropriate at Mississippi College as part of the degree requirements
for the Vocal Performance Major. Church Music majors with a vocal
emphasis may choose this course or its companion course MUS 450. Composition
majors and students seeking a B.A. in music may choose this course as one of
their literature requirements. The course provides the opportunity to gain a
knowledge and an understanding of American, British, Italian, Scandinavian,
Spanish and Russian art songs through an examination of the respective
literature, composers, and poets of each genre, thus offering the opportunity
for intellectual development and
cultural enrichment. As an upper-level course, it serves to reinforce, unify,
and make practical application of other music courses, and it also enhances
university core subjects such as literature and foreign languages.
Learning
Objective
The
student should be able to identify specific songs; to recognize (aurally and
visually) general song-writing
characteristics of individual composers; to discuss the interpretative, poetic,
and historical factors of songs and the
musical development and related aspects of each genre.
Procedure
The
primary method of instruction is class lecture coupled with listening and score
examination. Students will present reports as assigned.
Assignments
Due
dates and specific information for the following required assignments are
found in the attached, tentative
schedule which outlines the topics to be covered in the course.
1.
Read and take notes from the text.
2.
Utilizing the recordings on reserve in the Learning Resource Center of the MC
library prepare for
periodic test which involve aural
identification of and information on the
songs.
3.
Formulate an annotated bibliography of supportive books and musical
scores.
4.
Write and orally present to the class reports as assigned.
5.
Create a recital program of Art Songs using only the songs genres of
this course. Include program notes
and translations. Present in a format comparable to MC recital programs.
6.
Study for unit examinations.
7.
As the opportunity arises, attend and critique assigned song
recitals.
Academic
Integrity
The
student is expected to demonstrate academic integrity according to the
statements found in the 2001-2002 Mississippi College General Bulletin
on p. 53 under Honesty.
Text
Kimball,
Carol. Song: A Guide to Style and Literature. Seattle: Pst...Inc., 1996.
Evaluation
Written
assignments will be graded on (1) content (2) and
(2) structure, grammar, and spelling (2). These written assignments, oral
presentations, listening tests, and the bibliographies will be averaged to
represent 50% of the semester grade. Three unit tests (two scheduled within the
semester and one at the time of the final exam) will comprise the remaining
half of the semester grade. Approximately 1/4 of the material on the second
unit test will be based on the material from the first unit of study. Likewise,
approximately 1/3 of the last unit test will be based on the material from the
first two units of study.
The
instructor will assist the student in making up work missed if an absence or
tardy is excused, i.e., due to an unavoidable personal emergency, an
illness which can be verified by the school nurse, or a situation which has
been mutually and previously agreed upon by the instructor and student. Students
who miss a test or fail to submit an assignment because of an excused absence
have the privilege of making up the test (generally during the week just prior
to DEAD DAYS) and will be allowed to turn in the assignment at the next class
period without penalty. Otherwise, the student earns an automatic zero on the
test and the assignment may be accepted at the next class period with a
letter-grade drop.
Grading
scale: A = 100-94; B = 93-85; C = 84-75; D = 74-70; F = 69 and below.
Attendance/Grade
Appeal
See
the policies concerning class attendance and absence appeal found in the 2001-2002
Mississippi College General Bulletin on pp. 50-51 under Attendance.
Any
student who questions the semester grade may appeal according to the policy in
the 2001-2002 Mississippi College General Bulletin on p. 46 under Grade
Correction/Appeal.
Information
concerning study skills and tutorial assistance may be obtained from the
Counseling and Career Development Center located in Lowrey Hall, room 101.
Instructor:
Nell Adams. Please make an
appointment for a conference or call me if necessary. Office: 925-3924. Home:
924-0289
TENTATIVE
SCHEDULE
SONG LITERATURE II
UNIT
I
8-30
Introduction/Syllabus/Style
![]()
9-4
Style and its Components pp. 1-20
English
song overview/Poets/Early Composers
pp.301-308
Dowland/Campion/Purcell pp.21-22
9-6
Delius/ Vaughan Williams/Quilter/ Ireland
pp. 309-320
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9-11
Butterworth/Gurney/Warlock pp. 320-330
English
Song Bibliography Due
9-13
Head/Finzi/Britten pp.330-340
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9-18
No class, but ATTEND AND CRITIQUE EVENING RECITAL.
Critiques
are due in my office on the next day (9-19) before your first class.
9-20
English Song Listening Test
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9-25
Italian song overview/Early composers/Poets
pp. 347-358
Italian
Song Bibliography Due
9-27
No class, but WORK in the library ON BIBLIOGRAPHIES/REPORTS.
![]()
10-2
Bellini/Rossini/Donizetti/Verdi pp.
358-363
10-4
Tosti/Donaudy/Pizzetti/Cimara/Berio
pp.363-373
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10-9
Italian Listening Test and Unit I Review
10-11
TEST Unit I - Style/English and Italian Song
![]()
10-16
Fall Break
UNIT
II
10-18
American Song overview/Poets/Foster/Farwell
pp. 227-233
American
Song Bibliography Due
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10-23
Ives/Griffes/Thomson/Duke pp.
233-246
pp.
26-28
10-25
Copland/Chanler/Barber/Bowles pp.
247-262
pp.
29-29
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10-30
Bernstein/Persichetti/Rorem/Hoiby
pp. 263-272
pp.
29-31
11-2
Argento/Hundley/Bolcom/Musto/Sclater
pp. 276-297
Russian
Song Bibliography Due
![]()
11-6
American Song Listening Test/Russian Song overview/Poets pp. 375-378
Borodin/Cui
11-8
NATS Regional Conference
![]()
11-13
Mussorgsky/Tchaikovsky/Rachmaninoff/Stravinsky pp. 378-388
11-15
Russian Song Listening Test and Review
![]()
11-20
TEST Unit II - American and Russian Song
(Some
material from previous unit will also be covered on this test.)
11-22
Thanksgiving Holidays
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UNIT
III
11-27
Spanish Song overview/Poets/Dørumsgaard/Granados/Nin pp. 403-409
pp.
414-415
11-29
De Falla/Turina/Mompou/Obradors/Rodrigo
pp. 409-413
Spanish
Song Bibliography Due pp.
415-423
Bibliography
covering remaining areas Due
![]()
12-4
Montsalvatge/ South American Song overview/Villa-Lobos pp. 424-435
12-6
Scandinavian and Eastern European Song overview pp. 391-401
Grieg/Sibelius/Nielsen/DvoÍák/Bartok pp.
437-441
![]()
12-11
Review SONG RECITAL DUE
12-13
TEST 11:00-1:00
Unit
III Material plus Spanish and Scandinavian Listening Test
(Material
from the other two unit tests will also be covered on this test.)
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I. Ideas for sources in the annotated
bibliography for each genre may include interpretation, style, musical
analysis, historical information, performance practices, poetry, descriptive
listings, translations, transcriptions,
thematic content, repertoire guides, discographies, commentaries, printed scores,
musical editions, bibliographies, etc. Articles from journals and encyclopedias
or chapters from books may be cited, and in some cases, where the entire book
does not apply to the specific genres of art song germane to this course., they
should be cited when the entire publication is not relevant. Each source must be listed as a proper bibliographic entry and must include
its call number or a reference as to where it can be found. Use complete
sentences in the annotation.
II.
Reports must always reference sources in correct bibliographic entries. Reports
will be presented in class as assigned.
III.
Any critiques must be written immediately following a recital and turned
in the next day. Written as a personal
opinion through a profession
prospective, the critique should be an evaluation of the performance for the general public.
IV.
On the listening tests, students will aurally identify specific song titles and
their composers, and they will provide a synopsis of the poetic content.
V.
Units tests will contain discussion questions as well as call for objective
answers and listings.